
Mirosław Bałka
Mirosław Bałka was born in 1958 in Warsaw and lives and works in Otwock, Poland, and Oliva, Spain. In 1991, he received the Mies van der Rohe-Stipendium of the art museums in Krefeld, Germany. Since 2010 Balka is a member of the Akademie der Künste, Berlin.
Bałka has exhibited widely, both nationally and internationally. He participated in Documenta IX (1992), the Venice Biennial (1990, 2003, 2005 and 2013, representing Poland in 1993), Sao Paulo Biennale (1998), Liverpool Biennial (1999), Sydney Biennial (1992 and 2006), SITE Santa Fe's 6th International Biennial (2006) and the Carnegie International, Pittsburgh (1995). In 2009, the artist was awarded with the prestigious Unilever commission for the Turbine Hall at the Tate Modern, London, where he presented the installation How it is.
In 2026 he presents a solo exhibition at the Museum of Contemporary Art of Montenegro in Podgorica and will participate in the 16th Manifesta Biennal, Ruhr area.a
His exhibition "Arbeit", curated by Anda Rottenberg was on view at Common Arts Foundation in Warsaw 2025. Between 2015-2018, he presented a trilogy of retrospective exhibitions: “CROSSOVER/S” at Pirelli HangarBicocca, Milan (2017), “Die Spuren” Museum Morsbroich, Leverkusen (2017/18) and “Nerve. Construction” at the Museum of Arts Łodz (2015).
Other solo exhibitions by the artist were on view at The Gund Gallery, Kenyon College, Gambier OH (2024), Castello di Ama (2019), the Freud Museum, London (2014); Museum of Contemporary Art Kiasma, Helsinki, IHME Contemporary Art Festival, Helsinki (all 2013); Akademie der Künste, Berlin (2011); FRAC Centre Orléans (2011); Museo Nacional Centro de Arte Reina Sofia, Madrid and Staatliche Kunsthalle Karlsruhe (both 2010); Scottish National Gallery of Modern Art, Edinburgh (2008); Irish Museum of Modern Art Dublin and Museu de Arte de São Paulo/Museu de Arte Moderna Rio de Janeiro (both 2007); K21, Düsseldorf (2006); Museum of Contemporary Art, Strasbourg (2004); The Zacheta Gallery of Contemporary Art, Warsaw and SMAK, Ghent (both 2001); National Museum of Art, Osaka (2000); Museu Serralves, Porto (1998); Tate Gallery, London (1995); Van Abbemuseum, Eindhoven (1994); Museum Haus Lange Krefeld, and Renaissance Society at the University of Chicago (both 1992).
His work is owned by museums worldwide including: Tate Modern, London; Van Abbemuseum, Eindhoven; SFMOMA, San Francisco; MOMA, New York; Hirshhorn Museum, Washington DC; The Art Institute of Chicago; Museu Serralves, Porto; Moderna Museet, Stockholm; The National Museum of Art, Osaka; Zacheta – National Gallery of Art, Warsaw. He has been commissioned to create a number of permanent outdoor works, including the memorial to the victims of the Estonia Ferry disaster in Stockholm (1997), AUSCHWITZWIELICZKA, Cracow (2010), and HEAL, University of California, San Francisco (2009).
Miroslaw Balka has been exhibiting with Galerie Nordenhake since 1990.
Exhibitions at the gallery
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BEING
Stockholm 2026 -
Group Exhibition Symptoms: Inaugural group exhibition at our new space at Goethestraße 2–3
Berlin 2026 -
La Nube
Mexico City 2023 -
Group Exhibition End of History?
Stockholm 2022 -
Group Exhibition Almond shaped eyes for circles and dots • Circles for eyes and almond shaped dots • Dots and almonds for circles in eyes
Mexico City 2022 -
EIN AUGE, OFFEN
Berlin 2017 -
Group Exhibition GATHERED FATES curated by Ignasi Aballí
Berlin 2015 -
Group Exhibition DRAWN
Berlin 2014 -
Group Exhibition Summer show
Berlin 2012 -
Nonetheless
Berlin 2011 -
Group Exhibition SUMMER SHOW
Berlin 2009 -
Landschaftsabfälle
Berlin 2008 -
Kein Warum
Berlin 2005 -
Group Exhibition Out Of Place
Berlin 2004 -
Nachtruhe
Berlin 2002 -
Group Exhibition Through Melancholia and Charm
Berlin 2000 -
Ordnung
Stockholm 1997 -
Rampen
Stockholm 1994 -
Group Exhibition Mnemosyne 1273
Stockholm 1992 -
Group Exhibition Art against AIDS
Stockholm 1991 -
Mirosław Bałka
Stockholm 1990
Texts
- Anda Rottenberg: Miroslaw Balka. Pursuing Meaning, Fleeing Meaning, , Pirelli Hangar Bicocca, Milan 2017
- Simone Menegoi: Social Body. The Individual and the Collectivity in the Work of Mirosław Bałka, Pirelli Hangar Bicocca, Milan 2017
- Alegra Pesati: All that Remains: the Drawings of Mirosław Bałka, Muzeum Sztuki, Łódź 2017 2017
- Julian Heynen: That's How it Is, in: Mirosław Bałka. How it is, Tate Publishing, 2009
- Mirosław Bałka in conversation with Rafał Jakubowicz, Documenta Magazine, 2007
- Peter Schjeldahl: Polish Haiku, The Reinassance Society, 1992
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Installation view, 'ARBEIT', Common Arts Foundation, Warsaw, 2025. Photo : Courtesy of the artist and Common Arts Foundation, Warsaw. Photo by Błażej Pindor. -
Installation view, 'ARBEIT', Common Arts Foundation, Warsaw, 2025. Photo : Courtesy of the artist and Common Arts Foundation, Warsaw. Photo by Błażej Pindor. -
Installation view "Mirosław Bałka - 690 x 190 x 102", 2006, Galerie Nordenhake Berlin 2017, steel, wood, felt, 102 x 690 x 190 cm -
690 x 190 x 102, 2006, steel, wood, felt, 102 x 690 x 190 cm, detail -
41 x 31 x 1, 190 x 60 x 54, 1992, steel, earth, electric blanket, felt, dimensions same as title in cm -
41 x 31 x 1, 190 x 60 x 54, 1992, detail -
Installation view "Mirosław Bałka – CROSSOVER/S", 2017, Pirelli HangarBicocca -
229 x 118 x 75 , 1975/2017, steel, terrazzo, felt, 75 x 118 x 229 cm -
229 x 118 x 75, 1975/2017, steel, terrazzo, felt, 75 x 118 x 229 cm -
90 x 33 x 31, 2017, terrazzo, steel, brass, dimensions same as title in cm -
90 x 33 x 31, 2017, detail -
Installation view "Mirosław Bałka – CROSSOVER/S", 2017, Pirelli HangarBicocca -
56 x 30 x 8, 2017, wood, plywood, steel, dimensions same as title in cm -
185 × 55 × 15, 1990, wood, steel, 185 x 55 x 15 cm -
133 x 34 x 190, 2011, steel, concrete, leather, plastic, dimensions same as title in cm -
Installation view "Mirosław Bałka – How It Is", 2009, Turbine Hall at the Tate Modern London 2009, Photo: Tate Photography -
120 x 80 x 15 / DB, 2008, wood, light, dimensions same as title in centimeters [lit] -
120 x 80 x 15 / DB, 2008, wood, light, dimensions same as title in centimeters [not lit] -
232 x 209 x 150, 2007, steel, concrete, 232 x 209 x 105 cm -
277 x 21 x 11, 277 x 21 x 11, Ø 17 x 26 + 23 x 16 x 19, 1991, wood, foam rubber, steel, dimensions same as title in centimeters, two wooden structures + 2 elements, one hanging -
Ø 16 × 25.5, 1992, steel, plaster, h = 25.5, Ø 16 cm -
204 x 25 x 17 and 11 x ø 13 x ø 7.5, 1990/1991, painted wood and iron, ceramic pot, fir's needles, concrete, dimensions same as title in cm -
11 x ø 13 x ø 7.5, 1990/1991, detail -
82 x 40 x 16, 2010, steel, plastic, wood, dimensions same as title in cm -
Installation view "Mirosław Bałka - Landschaftsabfälle", Galerie Nordenhake Berlin 2008 -
56 x 72 x 72, 2008, concrete, plastic, schnapps, pump, dimensions same as title in cm -
106 x 151 x 194, 2008, concrete, steel, dimensions same as title in cm -
2 x (7 x 2.5 x 15), 2 x (7 x 2.5 x 15), 1994, steel, linoleum, soap, dimensions same as title in cm -
2 x (170 x 35 x 13), 1996, steel, soap, dimensions same as title in cm -
2 x (170 x 35 x 13), 1996, detail -
Sch, 2000, glue, paper, steel, dimensions variable -
Sch, 2000, detail -
Sch, 2000, detail -
Pause, 1996, " 2 x (35 x 14 x 13), 190 x 240 x 30 "; steel, steel mesh, felt; " 2 x (60 x 30 x 10), 2 x (60 x 30 x 9), 50 x 11 x 60 "; steel, felt, heating cables, ash; " O 1 x 2467 " steel, soap, detail -
37 x 25 x 40 (Untitled Dog), 1997, steel, soap, dimensions same as title in centimetres -
2 x (55 x 23 x 27), 190 x 190 x 0,3, 1995, steel, linoleum, pvc, ash, felt, dimensions same as title in cm -
190 x 25 x 30, 190 x 25 x 2.5 , 1991, steel, sponge, dimensions same as title in cm -
Ein Floh / Ein Leben und Ø 100 x 15, 2005, video, pvc, revolving motor, 116 x 150 x 15 cm -
3 in 1, 2008, gouache on paper, 21 x 14.7 cm -
Giving Up, 2008, gouache on paper, 21 x 14.7 cm -
Milkontracks, 2008, gouache on paper, 21 x 14.7 cm -
The Bench, 2008, gouache on paper, 21 x 14.7 cm -
Babel Platz, 2007, gouache on paper, 21 x 14.7 cm -
Untitled, 2007, gouache on paper, 21 x 14.7 cm -
Untitled, 1996, crayon and black pencil on paper, 14 x 19 cm -
Untitled (Two tables), 1990, crayon and black pencil on paper, 20.5 x 28 cm -
Untitled (branches + column), 1996, crayon and black pencil on paper, 20 x 29.5 cm






























































