
Gunilla Klingberg
Gunilla Klingberg was born in 1966 and lives and works in Stockholm, Sweden.
Solo exhibitions include Skissernas Museum, Lund, Sweden, Trykkeriet, Bergen, Norway (both 2024), Eskilstuna Konstmuseum, Sweden and Times Museum, Guangzhou, China (both 2016), A Sign in Space at the Åhus Museum, Sweden (2015), Malmö Konsthall, Sweden (2014), Rice Gallery, Houston, Texas and Eastside Projects, Birmingham (both 2013), Zeppelin University, Friedrichshafen and Bonniers Konsthall, Stockholm (both 2009), Kiasma, Helsinki (2004).
She participated in the Art Encounters Biennial, Timișoara, Romania (2019), Gwangju Biennale, South Korea (2016), the Curitiba Biennial, Brazil (2013), the 1st Biennial of Art, Nature and Urbanism, Gernika, Bermeo, Spain (2012), the Biennale for International Light Art, North Rhine-Westphalia, Germany (2010), the Istanbul Biennial (2007), The Moderna Exhibition 2006, Moderna Museet, Stockholm and the Venice Biennial (2003) with Peter Geschwind.
Public commissions include Slussen Bus Terminal, Stockholm, Sweden (2025), Sergel Pavilion, Stockholm, Sweden (2021), Detektiven, Linköping, Sweden (2020), Tromsø UiT Arctic University, Norway (KORO, 2017–18), Burrard Place, Vancouver, Canada (2021), Kristianstads Rådhus, Sweden (2014), Hjorthagen pathway (Stockholm Konst), Sweden (2013) and Citytunneln, Triangeln train station, Malmö (2010).
Klingberg's residencies include ISCP, New York (2025), Headlands Centre for the Arts, San Francisco (2019), the Künstlerhaus Bethanien, Berlin (2001/02) and IASPIS, Stockholm (2004). During the academic year 2023/24 she was an adjunct professor at the Royal Institute of Art, Stockholm.
Klingberg has been a member of the Royal Swedish Academy of Fine Arts since 2019. Her work is held in the permanent collections of Moderna Museet, Malmö Konstmuseum, Koç Foundation, Istanbul and FRAC, France, among others.
Exhibitions at the gallery
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P U L S E
Stockholm 2026 -
When stillness culminates, there is movement, 2016 & SUN PRINT, storefront window at Jungian Chulhakwon, Gwanju, South Korea, 2016 06 05. 10.29-11.14.
Focus 2020 -
When stillness culminates, there is movement
Stockholm 2017 -
Gunilla Klingberg
Berlin 2014 -
Parallelareal
Stockholm 2010 -
Group Exhibition Summer Exhibition
Stockholm 2009 -
Cosmic Matter
Berlin 2008 -
Group Exhibition Group exhibition
Berlin 2006 -
Group Exhibition Alice Doesn't Live Here Anymore
Stockholm 2006 -
Mantric Mutation
Stockholm 2004 -
Group Exhibition Through a Sequence of Space
Berlin 2002
Texts
- Lars-Erik Hjertström Lappalainen, *I imagine it as an impulse*, 2024
- Sara Arrhenius: Time Strata, Sense and Sustainability Reader, 2012
- Sara Arrhenius: A Visit to the Other side of the Moon, Bonniers Konsthall, 2009
- Lars Bang Larsen: Cosmic Matter: Logistics and Metaphysics Positive Feedback as a Response to Distributed Being, Iaspis, 2004
- A Conversation Between Fia Backström and Gunilla Klingberg, Iaspis, 2004
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Public commission *Sergel pavilion*, 2021, Stockholm Sweden -
Installation view, "VRIDAVÄNDAVIRVLAVÄVA", Skissernas museum, Lund, Sweden, 2024 -
"VRIDAVÄNDAVIRVLAVÄVA", Skissernas museum, Lund, Sweden, 2024 -
Installation view, "VRIDAVÄNDAVIRVLAVÄVA", Skissernas museum, Lund, Sweden, 2024 -
Public commission "Wheel of Everyday Life", 2022, Vancouver Canada -
Public commission "Wheel of Everyday Life", 2022, Vancouver Canada -
Art Encounters Biennial, 2019, Timişoara, Romania -
Art Encounters Biennial, 2019, Timişoara, Romania -
Public commission *Trafic*, 2020, Linköping Sweden -
Public commission *Trafic*, 2020, Linköping, Sweden -
Public commission *Trafic*, 2020, Linköping, Sweden -
*Lifesystems – Nonspace*, Gunilla Klingberg & Peter Geschwind, Not A Single Story II, Wanås, 2019 -
Installation view "Gunilla Klingberg & Peter Geschwind – Not a single story", Nirox Foundation, South Africa 2018 -
Installation view "Gunilla Klingberg – When stillness culminates, there is movement ", 11th Gwangju Biennale The Eighth Climate (What Does Art Do?), Gwangju 2016 -
Installation view "Gunilla Klingberg – When stillness culminates, there is movement ", 11th Gwangju Biennale The Eighth Climate (What Does Art Do?), Gwangju 2016 -
Installation view "Gunilla Klingberg – When stillness culminates, there is movement ", 11th Gwangju Biennale The Eighth Climate (What Does Art Do?), Gwangju 2016 -
*SUN PRINT*, storefront window at Jungian Chulhakwon, Gwanju, South Korea, 2016 06 05. 10.29-11.14., 2016, cyanotype, 215 x 165 cm -
Installation view "Gunilla Klingberg – When stillness culminates, there is movement ", Galerie Nordenhake Stockholm 2017 -
Installation view "Gunilla Klingberg – When stillness culminates, there is movement ", Galerie Nordenhake Stockholm 2017 -
*ReCharge*, 2016, 7 LED tube lamps powered from batteries charged by solar panels, dimensions variable -
*Exit*, 2014, Mirror glass on wooden structure, 240 x 140 x 140 cm -
Installation view "Gunilla Klingberg – Brand New View", Times Museum, Guangzhou, China 2015 -
Installation view "Gunilla Klingberg – A Sign in Space", Malmö Konsthall, Malmö 2014 -
Installation view "Gunilla Klingberg – A Sign in Space", Malmö Konsthall, Malmö 2014 -
Installation view "Gunilla Klingberg – A Sign in Space", Malmö Konsthall, Malmö 2014 -
Installation view "Gunilla Klingberg – Parallelareal Variable", Eastside Projects, Birmingham 2013 -
Installation view "Gunilla Klingberg – Wheel of Everyday Life", Rice University Art Gallery, Houston 2013. Photo: Nash Baker -
Installation view "Gunilla Klingberg – Sense & Sustainability", Art Biennale, Urdaibai 2012. -
Installation view "Gunilla Klingberg – Sense & Sustainability", Art Biennale, Urdaibai 2012. -
Installation view "Gunilla Klingberg - Patterns of Everyday Life", public commission train station Triangeln, Citytunneln, Malmö 2010 -
*Dream Catcher*, 2007, 14 string stainless steel "dream catchers", Ø = 20, 40 and 60 cm -
*Trancentrance*, 2009, 50 wind chimes Stainless steel frame, 250x150cm -
Installation view "Gunilla Klingberg - Cosmic Matter", 10th Istanbul Biennal, IASPIS solo project, Istanbul 2007 -
*Transtube System*, 2002, rice paper lampshades, 350 x 400 x 270 cm -
*Seven Eleven Twis*t, 1997, wallpainting, two surveillance mirrors, dimensions varible












































