

Tirana House, 2009, building materials and communications and energy infrastructure
Variable dimensions, installation view at Kunstverein Lingen, 2009


Burning Man: Tensegrity Structure and Waterboy, 2008, Building materials and energy infrastructure, Dimensions variable, Installation view at art berlin contemporary, Berlin 2008


Installation of drawings, Fare Mondi / Making Worlds, 53rd Venice Biennial, Venice 2009


Visionaries of the 60s Confront the Upheavals of Today I, 2007, Winsor and Newton inks on Fabriano artistico GF/CP, 300g/m2, traditionnal white paper, 56 x 76 cm, framed 63 x 83 cm


Rural Studio: The Lucy House Tornado Shelter, 2007, Building materials and communications infrastructure, Dimensions variable


Power Tools for Urban Explorers, 2005, experimental prototypes and utilitarian objects on shelf, printed drawing. Ed. of 3,


Lille: The Power of Pattern, 2009, ink on paper
56 x 76 cm


Pattern Protects, 2007, Set of 7 drawings, Sakura Pigma Brush, archival and Winsor&Newton inks on Fabriano, 300g/m2, watercolor, extra white, 100 percent cotton, grana fina, cold pressed, each 21 x 29,7 cm


Detail: Pattern Protects, 2007, Set of 7 drawings, Sakura Pigma Brush, archival and Winsor&Newton inks on Fabriano, 300g/m2, watercolor, extra white, 100 percent cotton, grana fina, cold pressed, each 21 x 29,7 cm


Caracas: Dry Toilet, 2003, building material, power and communications infrastructure, 290 x 285 x 155 cm,


Caracas: House with Extended Territory, 2003
building material, energy and communications infra structure, approx. 290 x 585 x 355 cm


Marjetica Potrč

Marjetica Potr
was born in 1953 in Ljubljana, Slovenia. Her work has been exhibited extensively throughout Europe and the Americas, including at the Sao Paolo Biennial (1996 and 2006), the Venice Biennial (2003), and Manifesta 3 (2000). She has had solo exhibitions at the Barbican Arts Center (London, 2007) the Guggenheim Museum (New York, 2001), Galerie Nordenhake (Berlin, 2003 and 2007), PBICA (Lake Worth, Florida, 2003), the List Visual Arts Center at the Massachusetts Institute of Technology (2004), and at the De Appel Foundation for Contemporary Art (Amsterdam, 2004). Her many on-site installations include Dry Toilet (Caracas, 2003), Balcony with Wind Turbine (the Liverpool Biennial, 2004) and Genesis (2005), which is on permanent display at the Nobel Peace Center in Oslo. Potr
has published a number of essays on contemporary urban architecture. In 2005, she was a visiting professor at the Center for Advanced Visual Studies at the Massachusetts Institute of Technology. She has been the recipient of numerous grants and awards, most notably the prestigious Hugo Boss Prize (2000) and more recently an IASPIS artist residency in Stockholm, Sweden (2006).